Hey, friends, remember last summer when I said, "Let's read Bleak House!" and bunches of you said, "What a great idea!" (Well, there were at least three of you who gave it a shot.) Let's read more Dickens this summer!
I was already planning to read Our Mutual Friend this summer, because it's about rubbish. (Did you guess, from that impressively persuasive opening, that I used to work in the marketing department of a small publishing house? Wonder why they never let me write any of the catalog copy...) Just recently I read Adam Gopnik's New Yorker essay on Trollope, in which he opines that Our Mutual Friend is the Dickens book that people who don't like Dickens actually like. (Did you follow that? If you've always thought you don't like Dickens, you should totally read Our Mutual Friend with me. You'll definitely like it. Adam Gopnik says so.)
This classification perplexes me, however, because Our Mutual Friend seems to me to fit right in with the rest of the oeuvre. Gaffer Hexam on the Thames, the Veneerings at dinner, the dustman in his kingdom of rubbish -- nobody else could have written those characters, if you ask me. Tell me what you think, please! I'd love to hear it.
(I'd also, parenthetically, love to hear your thoughts on Gopnik's essay. I was taken aback by his read on the Barsetshire Chronicles -- I thought Mr. Harding was being scrupulous, in an endearing and well-intentioned way, but Gopnik doesn't see it like that. But back to Dickens--)
This summer I'm also going to try reading Tale of Two Cities to some combination of my children. My 15yo says he's too old to be read to and too anti-Dickens to tolerate ToTC, but I am wondering if I can lure him in. I expect the 13yo and the 10yo will be game. Stella interrupted tonight's chapter twice tonight to say, "Mama, this is *not* very interesting to me," but I think as the story unfolds she may be drawn in despite herself.
My husband always used to say that he didn't like Dickens except for Tale of Two Cities, which (in his view) wasn't very much like other Dickens novels. I disagree completely, though. The ideas that drive ToTC are all over his other books: the value of freedom, the scars that prison inflicts on the imprisoned, the redemptive nature of work, the importance of self-sacrifice, the capacity of the human soul for transformation. I haven't read it since 1997, so I'm interested to revisit it.
Anyway, that's my plan: to read two Dickens novels that aren't very Dickens-y, at least in some estimations. Join me! You know you want to witter via Twitter about Madame D's cryptographic methods. I remain skeptical that Dickens knew much about knitting, but boy, the man could plot.
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