We went to St. Louis over the weekend, and I will post again soon about all the fun we had. But this is a post about a change in our weekend plans, and an exhortation: if you are anywhere near one of the venues of the remaining Tallis Scholars performances, go now and buy a ticket. Stop reading this post -- go buy a ticket. You can work out the details later but you have to see this group.
We first heard a recording of the Tallis Scholars when we were engaged and we have been partial to their music ever since. While he was reading the St. Louis paper at our friends' house on Saturday, Elwood saw that they were performing in the St. Louis Cathedral on Sunday night and asked if we could work out a way to go. It didn't seem very practical. What would we do with the kids? If you don't quail just a little bit at the thought of occupying four boys out past bedtime in a strange city, you're made of sterner stuff than I am. But it was the Tallis Scholars, and so we bought a ticket. I'd see the first half, Elwood the second.
And here is where words fail me: I wish I had never used the word "exquisite" before, or "sublime," because then I would have a word to tell you what it was like. I've used those words about chocolate cake, though, and as good as chocolate cake may be it doesn't come close to this music. The concert was astounding.
Spring is my favorite time of year and St. Louis was blooming: bright forsythia, lacy fruit tree blossoms. It's such a fitting time for Holy Week, when it seems as if the rocks cry out, pointing to the one who says, "Behold, I make all things new." To be in that beautiful consecrated space, hearing those voices singing Holy holy holy, Lord God of hosts, heaven and earth are full of your glory -- indescribable.
Sunday was the feast of the Annunciation, and so the concert was especially well timed. I always think, on March 25, about the eternal possibilities amid the quotidian, about the ways I can say in my mundane tasks, Be it done unto me according to thy word. It goes without saying that the Tallis Scholars were amazing technically. As a speech pathologist with an interest in vocal music, I can tell you what was happening physically during that concert: which muscles were responsible for adducting and lengthening the musicians' vocal folds, how the ossicular chain in my ear carried acoustic information from their vocal tracts to my cochlea. But I cannot explain how it stirred my soul. I am still thinking about the mystery of mortal bodies with eternal souls, and about the gift we have been given in being able to bring beauty into a broken world.
I went outside at the intermission and Elwood asked me how it was. I started to cry. The boys all piled in around me, asking me why I was crying and patting whatever parts of me they could reach. I felt like a dork for crying, but I couldn't stop for a few minutes. I was crying because it was over, I told them. (To which Elwood generously said, "You could see the second half instead of me if you wanted." I told him, and I'm telling you, Go.) I told them I was crying because of the purity of the voices and the complexity of their interweavings, because it was so beautiful that it made my heart literally ache. But I think I was mostly crying because for almost an hour I was surrounded by lush and ethereal voices proclaiming the majesty of God. It was, I think, a foretaste of what heaven will be like, and the memory fills me up with hope, and with yearning.
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